Happy Holidays from all of us here at Auriel Camerata. We’ve had a great 2014, thanks to your support. Here’s to an exciting and harmony-filled 2015!
If you’ve been keeping an eye on the Capital District Choral Community Calendar, you know that this weekend will be a veritable feast of wonderful choral music!
First up, on Saturday at 7:30pm at First Reformed Church in Schenectady, are the Octavo Singers and their presentation of “Two Magnificent Magnificats” featuring Magnificats set by J.S. Bach and John Rutter. This concert, led by Curtis Funk, features a chamber orchestra and soloists Tess McCarthy, soprano; Ann Marie Adamick, mezzo-soprano; Joshua Bouillon, tenor; and John Demler, bass.
Q: Bach and Rutter – those aren’t names you often see on the same program!
A: I love the fact that this concert presents the same text in two completely different ways: Bach’s early 18th century composition and John Rutter’s work from over 200 years later. While they are very different musically, they are both extremely inspiring works. And it’s always wonderful to work with Curtis Funk and the Octavo Singers
Q: Which is more challenging to you, musically?
A: both pieces present their own challenges; Bach’s long melismatic passages vs. Rutter’s high, soaring lines. I have been very fortunate to be working with Anne Turner in preparing for this performance.
Two Magnificent Magnificats
Where: First Reformed Church, 8 North Church St., Schenectady NY
When: Saturday, November 22, 2014 7:30pm
Tickets: $25 General Admission, $20 Seniors, $15 Student (with ID)
Watch out for: Schenectady Christmas parade traffic! Best to approach from the north.
Next, on Sunday at 3pm at Saratoga Springs United Methodist Church is the Burnt Hills Oratorio Society, and their presentation of “Salieri and Mozart: Of Myths and Men“. Those who have seen the movie “Amadeus” remember the delicious tension between Salieri and Mozart. Were they rivals…and friends? Under the direction of Susan Hermance Fedak, BHOS will sing Antonio Salieri’s Requiem and Wolfgang Amadeus Mozart’s Vesperae Solennes de Confessore accompanied by chamber orchestra and a stunning array of soloists including Christina Pickreign, soprano; Kara Cornell, alto; Timothy Reno, tenor; and Richard Mazzaferro, bass. This will be a dazzling concert for sure! Don’t miss it!
Salieri and Mozart: Of Myths and Men
Where: Saratoga Springs United Methodist Church, 175 Fifth Ave, Saratoga Springs, NY
When: Sunday, November 23, 2014 3pm
For more information: call 518-416-4060 or www.bhos.us
It’s a different kind of starvation – the spiritual kind – if you don’t take that leap of faith!
Ack! Was July really our last post? We’ve been so busy we’ve been neglecting the blog!
So, in the spirit of “what I did last summer (and fall)”, here’s what we’ve been up to:
- we listened to a lot of really wonderful singers at our September auditions and took on two fabulously talented singers! Welcome soprano Carla Fisk and bass Tyler Thomas!
- We welcomed our Auriel Scholar, Class of 2015! Caleb Eick is a senior at the College of Saint Rose, pursuing a Bachelor’s Degree in Music, where he studies with Dr. Susan Harwood. Caleb brings so much enthusiasm, passion and talent to our group! We’re very happy to have him aboard. First on Caleb’s agenda was assisting in the preparation of program notes for our first concert, and he did a great job!
- we prepared and rehearsed and presented our first concert of the season, “This Other Eden: Music of The English Masters”, and it was glorious! We’re so grateful to the large, appreciative audience and the wonderful folks at Immaculate Conception Church in Glenville, NY, who made us feel so very welcome.
Here are a few pics from rehearsals for that concert:
And here’s a bit of video from rehearsal:
From now on, we promise we won’t get so far behind on the blog!
Reviews/Previews We got a sneak peek at Kara Cornell’s recital, “Gems of The Region” last night, and we can’t stress enough that you need to see and hear this recital!!
First of all, the combination of Kara and Michael is simply magical. Both are artists at the very top of their game – Kara’s earthy mezzo is glorious in itself, but when you pair that with a performance presence that inhabits the texts utterly, and draws you into their very meaning, it transcends art. Michael’s deft touch at the keyboard draws out such delicate nuances and shadings in the music – watching these two artists collaborate is thrilling and exhilarating.
Another big draw – the selection of music is stunning. Featuring local composers Frederic Sharaf, Steve Murray, Josh Rodriguez and Dean Coughtry, this recital presents some truly remarkable works conceived in our own area! What a rich talent pool we have here in upstate New York! Particularly evocative in our hearing last night was a homespun tune “Horse-Winged Cowboy” by Schoharie resident Coughtry, featuring a whimsical text from a cow’s point of view; and a set of jazz pieces (“Night”, “Golden Girl”, “There’s Still Time” and “All That You Meant To Me”) by local violinist Josh Rodriguez. Rodriguez’ gifts as a composer for voice are prodigious – he plumbs every nuance of his texts and sets them with great sophistication and elegance for the voice. If you are a sucker for a love song, you’ll feast on a set of love songs by Frederic Sharaf, which bloom with deep passion and unabashed romanticism.
Do yourself a favor and do not miss this recital. It is simply wonderful. And it’s so important to support living composers and living, vibrant art. Many of these compositions are world premieres, and the composers will be attending the concert as well.
Hope to see you there!
Fantastic concert tomorrow!! You must go! The Mayorgas are incredible musicians!
Thursday, May 1, 7:30 pm
GE Theatre at Proctors
American Snapshots: Two Hundred Years of American Song is a program of piano solos and jazz trios representing a core sample of American music. Returning artist Lincoln Mayorga and his wife Sheri will perform traditional ballads to music by Louis Moreau Gottschalk, Stephen Foster, Irving Berlin, Carmichael & Mercer, Annie Ross, Bix Beiderbecke, Phil Ochs, Tom Lehrer, Randy Newman, William Bolcom and each of the Mayorgas.
Through the songs and piano solos, the Mayorgas wend their way through mountaintop hollers and music from the parlor, to the ballads and be-bop of the city, and into the storm of American politics.
Jazz bassist Otto Gardner and drummer Ted MacKenzie join Sheri and Lincoln on this American romp through what the Mayorgas call “The People’s American Songbook.”
“IF YOU’RE LOOKING FOR A REWARDING WAY TO CELEBRATE AMERICA’S GREATEST GIFT TO THE WORLD – ITS MUSIC- THIS IS A FINE PLACE TO START… THE AURAL EQUIVALENT OF A “KEN BURN’S DOCUMENTARY”
- Peter Aaron, Chronogram
“Along the road that is a singer’s development, there are checkpoints at which a number of aspiring singers are filtered out of the race. Auditions for undergraduate and graduate schools are two big checkpoints, but the filtering really just comes when young singers are presented with a hurdle. By the time singers are working professionally, they have braved stage fright, foreign language skills, and the struggle for a consistent and workable vocal technique. It seems like the last of these hurdles is learning to “adapt to the business”, which means “read people’s minds”. And I think that’s sort of lame.”
This is a fantastic and thoughtful blog post from Schmopera about the frustrating realities about the audition process and the struggle to become your own artist. Definitely worth the read! Be sure to bookmark Schmopera, a vastly entertaining blog out of Canada (who doesn’t love Canadians, right?).
No one blinks when an experienced corporate manager earns a six-figure salary in this city. But an opera singer? We still romanticize the image of the starving artist. We like to think that talent will eventually fill dinner plates and checking accounts.
This is an interesting discussion about how we value the arts in our culture. There is a persistent notion that artists should somehow accept less than their training and work is worth. And it’s not just singing – this pervades all art forms. Thoughts?